Lincoln East High School’s class of 1971, we’re told, was known for its many talents — music perhaps being the most notable.
“There were some great musicians all around us,” said Paul Burner, who grew up in Eastridge with John Ballew and Doug Dickeson.
They all played guitar, but it wasn’t until 1991, when an impromptu jam session at the Isles Pub in Havelock — one of the gatherings for their weekend-long 20-year high school reunion — put the three of them on stage together for the first time.
Ballew asked if they knew “Amie,” the song Pure Prairie League took to No. 27 on the Billboard Hot 100 in 1975.
Somehow, the three longtime friends — remember, jamming for the first time ever — nailed the acoustical classic, including the three-part harmony, which Burner said “sounded like we’d been practicing for weeks.”
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“We had never sung together. We had never played together,” he said. “But we had been around each other growing up.”
They finished the song and looked at each other with utter astonishment, knowing they couldn’t have played it any better.
“It was magical,” Burner said.
A year later, The Wheezetones — Burner, Ballew and Dickeson — played their first show. Thirty years later, they’re still going strong.
And on Friday, their longevity will be rewarded when one of Lincoln’s most well-known bands, the city’s top cover band in 2011, is inducted into the Nebraska Performing Arts Hall of Fame.
“We are honored to be (mentioned) with a bunch of people who we consider to be a lot more important than we are,” said Burner, a retired graphic designer, husband and father.
The Wheezetones, now six strong after adding a bass, drums, keyboards and a saxophone, are that band that came together not for the chance at fame and fortune, but for the opportunity for a bunch of guys who genuinely like each other to play the music they grew up loving.
Some guys get together for a weekly poker game. Others friendships have been maintained for years — decades — by playing fantasy football. With The Wheezetones, it was always about the music.
“It was a great outlet,” Burner said. “There is a lot of need in life to just balance out the stress in life and career with something like music. It just balances out so much. That avenue lends so much fun. It’s been great.”
Proof in point that the music is far more important than the public adulation comes in the fact that The Wheezetones have never played more than one show a month.
“We would play a gig, take the next week off and then we would practice,” Burner said. “We got together to play music and learn new music. … We would play music, laugh and have a great time.”
Maybe that’s what kept the group — Burner, Ballew and Dickeson, along with Bob Creager (drums), Ted Larson (keyboards and sax) and Kevin Moore (bass), who replaced the late Keith Cornelius in 2015 — together all these years.
“I think that is the secret to our longevity,” Burner said. “… We never burned ourselves out. It’s always been fun for us.”
All are family men with careers. Ballew and Creager are attorneys. Larson and Dickeson are educators, while Moore, who raised two daughters who are pursuing musical theater careers, including Kate, who recently made her Broadway debut in the production of “Into the Woods,” owns a hair salon in Lincoln.
There was a time — just before the COVID-mandated shutdown — when The Wheezetones considered retiring for good. But after a bit of soul searching, the group decided against calling it quits.
“If people keep coming, we’ll keep playing” Dickeson said in a 2018 Journal Star story.
And Lincoln continues to turn out to dance and hear them play — perhaps at Duggan’s Pub, which served as their home base for years. This is a band that played both Pershing Auditorium and Pinnacle Bank Arena, which puts them in rarified air.
“How great is that?” Burner asked. “We really enjoy playing together. We just don’t want to play as much.”
The Wheezetones now play just three or four shows a year, which suits the six of them — most of them nearing or already in their 70s — just fine. They may not be playing as much for the public, but they still get together just about every week to jam.
After all, that’s where their real fun happens, right?
“We try to do classic rock songs that not everybody else does or can do,” Ballew told the Journal Star in 2011. “All of us have tremendous passion for the music.”
So, back to Friday night and the induction ceremony, after which they’ll play a 90-minute show.
Fittingly, the first song will feature the three originals — Burner, Ballew and Dickeson — playing an acoustic number as an homage to their beginnings.
Try again. Instead, they’ll play “Suite: Judy Blue Eyes,” a song made famous by Crosby, Stills and Nash.
In a perfect world, “Amie” would have been the obvious choice. But perfection is a moving target — especially when Father Time is involved.
“It’s a little harder to sing the high notes these days,” Burner said. “‘Amie,’ is so freaking high. We would have liked to come out and play the song first — our first song of the night being the one that started it all — but we want to make sure we can hit those notes.
“That’s just not a song you can come out of the chute and play.”
Maybe not, but it still would be fun and even more nostalgic to hear — just one more time.
Here it is, our Christmas advert for 2019 #BeAKidThisChristmas
Wishing all our customers a Happy Christmas for 2019.
Alan, Pauline & Tom.
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A big thank you to the star of the show, Arthur Lewis Jones, age 2.
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Filmed and edited by Josh Holdaway https://www.twitter.com/joshholdaway
Directed and Produced by Josh Holdaway & Thomas Lewis Jones
Music by Andrea von Kampen
https://www.youtube.com/watch?v=Fz3ZYkW-uS4
Song: Forever Young – Alphaville
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This date in history: Farm Aid at Memorial Stadium
Willie and Martin Massengale

Willie Nelson and UNL Chancellor Martin Massengale sign a contract on June 13, 1987, making Memorial Stadium the official site of Farm Aid III.
Nelson at Memorial Stadium

Willie Nelson looks over Memorial Stadium after signing the contract to hold Farm Aid III in Lincoln. From left, Tim Moore, UNL program coordinator, Tim O’Connor, Farm Aid III event coordinator, and UNL Chancellor Martin Massengale tour the venue with Nelson.
Announcing the show

Farm Aid event coordinator Tim O’Connor (left) speaks to the press months before the event on July 19, 1987, as UNL Farm Aid project manager Tim Moore watches.
Counting tickets

UNL employees and volunteers counted and audited more than 68,000 tickets before the concert. They were sold for $20.75 each.
Waiting for passes

130 people waited in line on July 15, 1987, to pick up passes in order to get the first pick of Farm Aid concert tickets.
Farm Aid Gothic

Gov. Kay Orr and singer Willie Nelson appeared in a painted riff on American Gothic by Lincoln artist Judith Cherry. The Lincoln Downtown Association sponsored artists to paint windows of downtown businesses in advance of the show.
Painting

Ann Burkholder paints a window advertising Farm Aid III at the Senior Center at 1000 O St. on Sept. 9, 1987.
Readying the stage

After heavy rains, the Farm Aid III stage was starting to take shape three days before the Sept. 19 show.
Volunteers

A legion of volunteers helped put the stage and various enclosures together for the concert. Here Tom Gardner (left) and Frank Graham work on building an enclosure for the TV production of the concert.
Rolling up the tarps

A group of volunteers rolled up the tarps at the stadium.
Readying the tarp

Volunteers stretch tarp for the roof of the main stage. Three huge pieces of tarp were needed to cover the stage before the show.
Banding together

Workers put the finishing touches on a billboard raised in connection with the concert.
Unpacking

Dick Berry, Tom Snodgrass, John Petranek and Susan Bowen unpack computer equipment in the days before the show.
Charles Haid

Actor Charles Haid, best known for his performance on “Hill Street Blues,” answers questions from the press on the Friday night before the show.
Bob Kerry, Chauffeur

Former Gov. Bob Kerrey was the chauffeur of the day for (from right) Jody Fisher, secretary at Willie Nelson’s Spicewood, Texas, recording studio, Lana Nelson, Nelson’s daughter, and Mike Minkler, Lana’s husband, who arrived the day before the concert.
The last of the tickets

More than 2,000 tickets were held for day-of-show sales, with many of them not selling. The tickets sold on Sept. 20 went for well below the original $20.75 asking price.
Farm Aid or bust

Ken Winters of Indianola brought 10 family members and friends to the concert in his old school bus he called the “Wintersbego.”
The line

A massive line forms on the east side of North 10th Street at 9 a.m. on the day of the concert, hours before any act was to take the stage.
Crowd shot

Despite not quite selling out, nearly 69,000 attendees crowded into Memorial Stadium for Farm Aid III in 1987.
Stage view

The stage for Farm Aid III was set up in the north end zone of Memorial Stadium and was constructed over the week before the Saturday show.
From the front

Attendees grabbed whatever space they could before the concert began Saturday. This shot was taken from the front of the stage, facing south.
Flying the flag

Deb Johnson and Anita Stough of North Platte hold up their homemade banner at the concert.
Four-point pitch

A group of attendees play a little four-point pitch before the concert kicks off at Memorial Stadium.
Do the wave

Thousands of attendees do the wave during the show.
American Flag

Scott Thomas of Omaha flies an American flag from his seat at the show.
Watching the show

A fan uses binoculars to get a better view of the concert.
Beach ball

A concertgoer carries a massive inflatable beach ball through the crowd before the show.
Relaxing

Two men relax before the show.
Ready for duty

Officers who were working night duty at Farm Aid had their hats marked with a reflective X.
Scoping out the stage

Donna Mann of North Platte checks out the stage from her seat with a pair of binoculars.
Crowd

67,581 tickets were sold for the show, with the remaining audience made up of 600 volunteers as well as media members, security and concert personnel.
Clapping

Fans clap along during the show.
Dennis Hopper

Actor Dennis Hopper, one of the hosts of the concert, relaxes during an interview in a backstage area of Memorial Stadium on Sept. 19, 1987.
Shift change

Lincoln police officers wait for transportation from Memorial Stadium during a shift change.
Flying over Farm Aid

A plane flies over Farm Aid III, bringing attention to the plight of farmers.
Willie T-shirt

An audience member shows off his Willie Nelson emblazoned Farm Aid III T-shirt.
Dancing

A Native American dancer performs during the early hours of Farm Aid III on Sept. 19, 1987.
Willie Nelson

Willie Nelson performs during Saturday’s show.
Emmylou Harris

Emmylou Harris (center) performs during the afternoon of Sept. 19.
John Conlee

Singer and farmer John Conlee performs while dwarfed by a massive photo of a farmer during the concert.
Vince Gill

Singer Vince Gill performs during Farm Aid III.
Vince Gill performs on camera

Vince Gill performs as a cameraman takes video. Farm Aid III was carried in a syndicated TV broadcast covering about 85 percent of the country. Donations called into the show raised about $1 million.
Revolving stage

Farm Aid III used a revolving stage adorned by huge cutout farm family photos to keep the concert going with few hitches for a full 10 hours.
David Amram

Composer and multi-instrumentalist David Amram plays a pair of flutes during his performance at Farm Aid III.
John Kay

John Kay of Steppenwolf performs during the show.
Arlo Guthrie

Arlo Guthrie leads all of the concert’s performers in a rendition of his father’s classic “This Land is Our Land” during the last set of Farm Aid III.
The final sendoff

As the TV cameras turned off, impromptu songs kept the concert going for another 15 minutes as Farm Aid III came to a close.
Saying thank you

Lincoln Farm Aid coordinator Deane Finnegan and Mayor Bill Harris pack up a huge bandanna banner, a Farm Aid III parking sign, a framed Paul Fell cartoon and a copy of the Sept. 20, 1987, Journal Star to send to singer and organizer Willie Nelson following the concert as a way of thanking him for his work organizing the show.
Reach the writer at 402-473-7391 or psangimino@journalstar.com.
On Twitter @psangimino
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