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The Howard Stern Show with Trey Anastasio from Phish

From Sunset Daily

The Howard Stern Show with Trey Anastasio from Phish

Every Monday episode is now edited over the next few days and then released on HBO Max every Thursday.

By Don Lichterman Originally posted on the Sunset Daily Substack
This piece first appeared on the Sunset Daily Substack. It is reposted here on JamFest in full, exactly as originally written.

I have not listened to The Howard Stern Show in probably over ten years now, and honestly, nothing has seemingly changed as far as I can tell. Every Monday episode is now edited over the next few days and then released on HBO Max every Thursday. It airs every Monday on demand on Sunset, or after Monday, I should say. When I realized he was on HBO Max a week or two ago, I watched every episode after starting by watching Episode 6 first. I then watched the “Cocktober” episode when that aired a week or two ago, and then I was waiting to see this one with Trey Anastasio from Phish.

In reality, and throughout my life, Howard has always been outspoken about his hatred of bands that jam. He used to hate The Grateful Dead, and the show itself would show up at Phish shows to interview people on nitrous and ones that were totally wasted. Then, Howard would make fun of it the next day. That person was Steve Brandino. I have not seen him yet on the show since they aired on HBO Max, but we sat next to each other at a show. Jason Kaplan goes to shows.

Regardless, in getting back to know everyone, because again, the Wills and Jason Kaplans and even Sal and Richard went out of my mind in the last however many years, I was quickly reminded of them being total characters on that show, while at the same time, Howard has not skipped a beat. I then had to do a literal triple take when I was figuring that Robin was on the screen. I was like, “Is this her from today?” I thought, or think I should say, that she looks younger somehow. Her skin is so smooth, and as far as having work done, she may use makeup and moisturizer and skin cream on her face, but she has not had work done. She makes no bones about it. Fred looks like Fred with gray hair.

They all had to start to groom, though, and get better outfits for HBO Max and as they started to air each week. In typical Stern Show fashion, they all realized it during the show. Now, one by one, each of them bought and started to wear new clothes. Will and JD, I believe, got haircuts or groomed their hair. Sal wants to get his eyes done, and Richard, honestly, is like Robin. He looks great too. He looks younger or the same age. Gary also looks good, and he was actually well dressed from the start or as far as I saw. I am on the fence with regard to his argument with another staffer I never knew before, Samantha. I think he could have made a better effort for his work mate, let alone for the show itself. At the same time, I would also figure she would have had a direct conduit to Kimmel’s staff. She deserved to be inside the show.

Overall, it is now my most anticipated watch of the week, but at the same time, not only did I not take to the new Ali G film we stream at Sunset, I was also bored with that Sacha Baron Cohen interview. My mind started to stray during it, and even now, I am typing this while they talk, but at the same time, I have had to stop a few times to listen. That did not happen in that interview for me at least.

For instance, is this girl Jill from Pennsylvania, the one who does mushrooms and was smoking the “Elmer’s Glue” strain, hot? I think Howard said yes, but she is evidently a caller, and she sounds like a repeat caller.

This story about Fred at his bachelor party scoring a 0.3% on the alcohol scale is something I never even heard of before, or I forgot about it. I am not sure if I ever knew of anyone scoring that high on breathalyzer test. I am not even sure if I knew it went to .3%.

Regardless, I cannot remember if I knew Steve Nowicki. I think he is new to me, and Mike Pearlman is also new to me. Samantha Fontana was the one who was introduced to me by her arguing with Gary Dell’Abate on the show.

Tan Mom was on a bunch. I am still not sure what to make of what she is all about and so that has also not changed in over ten years. I see someone else who is new to me: Chris Wilding. I like him so far. He is good, and so is Steve Nowicki doing those cast impressions. They both made me laugh a lot so far. Regardless, Tan Mom seems nice, but it would be really hard for me to look at her face in real life during things like conversations. I feel like her face hurts. But she does seem nice in her own way. It looks like she is coming up to the studio in the next few weeks to do the Basic Instinct scene.

Trey is on now, and they are talking about WMMR. Howard was simulcast or broadcast on WYSP in Philly.

“100%,” Trey says. “100%.”

Trey is being real honest, although by saying that he needs to do more on the Phish SiriusXM channel, he is dodging, and I would bet that he does not do much on that channel. I have honestly never sat and listened to the Phish Radio channel. First off, I want to hear music. I do not want to hear people like me talking, because if I am talking, there is no way to hear music. I think there may be a lot of liking to hear oneself talk on those channels and same goes with the Grateful Dead one. Again, I do not listen to those channels so it is hard for me to gauge. However, I would not mind hearing Trey do a set but then again, does he want to play his own music? I think by playing live covers that task and so him playing other people’s music maybe on the fly would be of interest to me. But, I do not want to hear him talk. i just would want him to play what he feels like playing for a few hours. That would be fun.

This is an interesting line of questioning, and it has taken us on the “isn’t hard to play music” storyline. I like it, and much like Trey, they were teaching me things like Baroque in elementary school, which is when I stopped playing guitar. It bored me. I just wanted to find music that was already done. That was always the job I wanted to do. Set that aside, this is really cool to know about Trey. It all started musically for him with music composition, which he studied at Goddard College. Him speaking about his growing up era and those pressures is all new to me.

What documentary did Howard see? I hope it was not Bittersweet Motel.

I wonder why Trey feels like he is a fraud, or why his father figure felt that way about him? I also wonder which father. Did he only have one and is it the one who goes to shows on a regular basis now? I think I remember the documentary. I think it was a short or something. Trey is putting it all out on the table. He probably should not be talking about his “Men’s Group,” for God’s sake. Does that not fall under the nothing should ever leave this room category?

Was Billy Strings into partying too much? Did he have to go sober? Whatever he is doing, he should stay the course. Billy Strings is excellent. As I am sure that you all know, I play him and Trey all the time on two of my radio stations where I DJ live.

I have so much respect for Trey after hearing all of this interesting information about his process. I never knew he got up at 6 a.m. to create setlists so they would not repeat a song. I was at that Baker’s Dozen run. It was pretty great.

He used to do crack? Wow. I had no idea he was that deep into drug use. I knew about the opiates because of his arrest, but man, smoking blow is hardcore. It is freebasing as I knew it back in the ’80s. I never did that or Oxys.

I never knew he actually did time, but the stories are great. Oh, he did two days. That is a taste, which he alludes to needing at that time.

I also play that “Down by the River” at Farm Aid with Neil Young too on Live Jam. It is actually a 21-minute version, and they go nuts. Them practicing “Powderfinger” and then him just walking on the stage is great stuff. Those guys were partying back then, and I thought they were wasted at this show. I mean, by the way they played, it was crazy, and so I assumed they were on something at this show. I have nothing to base that on besides stereotyping their play, which I seem to have gotten all wrong. I never knew how that manifested, though when you do hear it, you also know it’s improvised. It was cool how it trickled in and the other antidote I will add is that they had to almost follow Neil Young’s lead which is why the hesitation at first. It was his event and it is Neil Young.

I had already heard the Bruce Springsteen segment. I thought it was a little pretentious, but then again, how else do you tell that story? That happened a few years ago at a music festival in Asbury Park. Boston was also my second rock concert too, and I felt the same after seeing my first concert ever, Electric Light Orchestra (ELO). ELO was amazing. Because of that show, I wanted to see every concert. I then saw Boston with Sammy Hagar opening up, and I thought it was fine, but not over the top like ELO.

I never put that together as far as music artists, and in particular guitarists, singing and playing lead at the same time. That has to be way harder than rubbing your belly and patting your head at the same time.

I do not think Howard knows that the Phish hot dog hangs in the Rock and Roll Hall of Fame lobby. I guess Billy Strings did his share of partying. Trey is definitely allowing Howard to say that he is the leader of Phish. If I were Trey, I would have just said that we are collective in the band and called it a day. I think that he tried though he also did not fight that comment off at all. But I get it.

I like Paul Languedoc’s story. I forgot about that guy.

He is telling the Big Cypress story, and yes, Trey, you were high. You stayed way too long in the porta potty at one point, to where Brad had to knock to get you out, but he also did not even mention the sets before the eight-hour set to start up the new millennium.

Talking about sex to Trey is a bit awkward. I wonder which shows he thought sucked. This “Pebbles and Marbles” is done really well, but I still do not get where and how this is about missing his daughters’ childhood.

I also never heard that “Sting” quote but then again, I met Keith Richards one time at Musso & Frank’s in LA. He came and sat at our table right next to me because he knew people I was with. He talked to me about the whiskey or scotch he was drinking. I was just nodding at him to death, because what in God’s sake can I add to that conversation?

I think the one thing Trey is leaving out about those Stones songs they play live is that the melodies are both sweet-sounding.

But yeah. This got dark, down, and dirty.

It looks like there is a “Stash” being played at what I bet turns into the outro. Trey sounds excellent.

The Divided Sky Charity Concert with Trey and Billy Strings is on Friday, November 20th, and Saturday, November 21st, 2026. It is definitely sold out but I think they are broadcasting live on Nugs.net. That is going to be something to check out. I am also not sure if this is known because I thought it was Trey Band and then Billy doing his own set. I assumed that they could play together but I am now sensing Trey and Bill are playing together. Maybe even with the Trey Band. That is going to be a night of some great music.

More on JamFest

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TAUK and lespecial Team Up for Six Co-Headlining Shows Across Florida, South Carolina and North Carolina

Tour Spotlight

TAUK and lespecial Team Up for Six Co-Headlining Shows Across Florida, South Carolina and North Carolina

Two progressive jamtronic bands, both built on lifelong friendships, share the bill for two night weekend stands all through November.

Run: November 6 to 21, 2026 Shows: Six, across three weekends States: FL, SC, NC

TAUK and lespecial have joined forces for a six show co-headlining run across three weekends in November 2026, taking two of the more adventurous names in progressive jamtronic through Florida, South Carolina and North Carolina. Each band is a story of long friendships, and the pairing has been described as a titanic meeting of musical forces.

The Two Bands

TAUK is a New York based instrumental quartet made up of Matt Jalbert on guitar, Charlie Dolan on bass, A.C. Carter on keyboards and organ, and Isaac Teel on drums. The group has been a going concern since seventh grade, burst onto the scene in 2014, and has built a catalog of nine studio albums and four live albums on its devotion to deep grooves. lespecial is the trio of Luke Bemand on bass, synth, percussion and vocals, Jonathan Grusauskas on guitar, synth, sampler, percussion and vocals, and Rory Dolan on drums, sampler, percussion and vocals. They have delivered shows for two decades and released seven albums.

Three weekends, six shows, and two bands that grew up playing together.

The Dates

The run opened with a Friday night, November 6th, at Zodiac Live in Ybor City, Tampa, followed by Midline Miami on the 7th. It moves next to The Charleston Pour House in Charleston, South Carolina, for two nights on November 13th and 14th, then closes with two nights at Eulogy at Burial Beer Co. in Asheville, North Carolina, on November 20th and 21st. Night two in Charleston is billed as a special collaboration, with the two bands joining forces as LES TAUK alongside vocalist Kanika Moore of Doom Flamingo.

Beyond the Run

Both bands have New Year’s Eve plans. TAUK is set for Citizens House of Blues in Boston on December 31st, while lespecial plays Sony Hall in New York City on December 30th and Infinity Music Hall in Hartford, Connecticut, on December 31st. For more on the bands, visit TAUK and lespecial, and see the full run in Music Fest News.

Groove Without Borders

More jamtronic news every day on JamFest Radio.

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Conor Oberst Announces “An Alleged Evening With,” a 49 Date Solo Tour Through Caves, a Monastery Chapel and The Stanley Hotel

Tour Announcement

Conor Oberst Announces “An Alleged Evening With,” a 49 Date Solo Tour Through Caves, a Monastery Chapel and The Stanley Hotel

His first solo headlining run since 2019 promises extended evenings drawn from across his career, with a few very unusual rooms along the way.

Dates: February 19 to May 15, 2027 Shows: 49 across the U.S. On Sale: Friday, November 13, 10 AM local

Conor Oberst has announced his 2027 solo tour, An Alleged Evening With, a 49 date run across the United States from February 19th to May 15th, 2027. It is his first solo headlining tour since 2019, and the shows are billed as extended evenings drawing on songs from across his career. The press materials offer a simple promise: expect the unexpected.

Unusual Rooms

Alongside the theaters and clubs, Oberst has booked some distinctive spaces. On March 19th he plays The Caverns in Pelham, Tennessee, an underground venue. On April 22nd he performs at La Rosa in Tucson, Arizona, a former Benedictine monastery chapel. The Henry Miller Memorial Library in Big Sur, California, follows on May 1st, and the tour closes with two nights, May 14th and 15th, at The Stanley Hotel in Estes Park, Colorado, the hotel said to have inspired Stephen King’s The Shining and once host to Houdini.

Forty nine nights, one songwriter, and a closing stand at the hotel that haunted The Shining.

The Route

The first leg opens at Liberty Hall in Lawrence, Kansas, on February 19th and moves through Arkansas, Texas, Louisiana, Mississippi, Florida, Georgia, the Carolinas, Virginia, Delaware, Maryland, Kentucky, Tennessee, Alabama and Missouri before wrapping at the Bourbon Theatre in Lincoln, Nebraska, on March 23rd. The second leg begins April 14th at the Tower Theatre in Oklahoma City, then crosses Texas, New Mexico, Arizona and California, with stops at The Glass House in Pomona and the Castro Theatre in San Francisco. It continues through Oregon, Washington, Idaho and Wyoming before the Stanley Hotel finale. Additional dates are expected to be announced.

Tickets and Giving Back

Tickets go on sale Friday, November 13th, at 10 AM local time through Ticketmaster and venue box offices. Through a partnership with PLUS1, one dollar from every ticket sold benefits Oberst’s nonprofit, the Poison Oak Project, which works to advance equity for LGBTQ+ people with a focus on the trans community. Before the solo run begins, Oberst also joins Bright Eyes for three nights at the Brooklyn Paramount, January 11th, 12th and 14th, 2027. Full routing is available in the Consequence tour report.

Expect the Unexpected

More tour news every day on JamFest Radio.

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Snarky Puppy Unveil the 2027 GroundUP Music Festival, With Family Dinner Sets, an All Day Benefit and a Miami Beach Bandshell Lineup

Festival Announcement

Snarky Puppy Unveil the 2027 GroundUP Music Festival, With Family Dinner Sets, an All Day Benefit and a Miami Beach Bandshell Lineup

The 11th edition returns to the oceanfront for a three day weekend built around collaboration, education and one of the most inventive bands on the road.

Dates: March 12 to 14, 2027 Venue: Miami Beach Bandshell, Florida Host: Snarky Puppy

Snarky Puppy have announced the initial lineup and format for the 11th edition of the GroundUP Music Festival, which returns to the Miami Beach Bandshell in Florida from March 12th to 14th, 2027. Presented by the GroundUP Music Foundation, which was co-founded by Snarky Puppy bassist Michael League and arts leader Paul Lehr, the weekend opens with an exclusive all day benefit on Friday and continues with two nights of collaborative Family Dinner performances on Saturday and Sunday.

Friday, March 12: The Benefit

The weekend begins with a non profit, tax deductible fundraiser for the GroundUP Music Foundation, capped at just 150 attendees. Guests receive access to closed rehearsals with Snarky Puppy and other festival artists, followed by cocktails and an intimate dinner with the musicians. The day closes with private performances, including a full Snarky Puppy set and special guests still to be announced.

Closed rehearsals, an intimate dinner, and a private Snarky Puppy set, all limited to 150 guests.

March 13 and 14: Family Dinner

Saturday and Sunday are built on the band’s Grammy winning Family Dinner concept. Each night, Snarky Puppy back a varied group of guest musicians in special collaborative sets, drawing on the spirit of their Family Dinner recordings. The band will also play a full set of its own each evening, featuring music from its newest album, Somni.

The Guests

The initial lineup includes Gretchen Parlato and Lionel Loueke, DOMi and JD Beck, Charlie Hunter and Ella Feingold, The Rumble, Victoria Canal, and Lau Noah, with more artists still to come. Daily workshops, masterclasses and panels with Snarky Puppy members and guest artists round out the weekend, with specific offerings to be announced in the coming weeks.

Tickets and What Comes Next

Passes for the festival and the Friday benefit are listed on the GroundUP Music Festival website. Snarky Puppy will tour Europe from March through May, and the band will host another GroundUP Music Festival in Alberobello, Italy, later in 2027.

Music Without Borders

Keep up with the festival world on JamFest Radio.

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Dave Schools & Friends Stage a Secret New York Show With Warren Haynes and Grace Potter, Then Take Over Brooklyn Bowl

Live Recap

Dave Schools & Friends Stage a Secret New York Show With Warren Haynes and Grace Potter, Then Take Over Brooklyn Bowl

A rotating supergroup of jam scene veterans turned one surprise ballroom gig and two Williamsburg nights into a three night New York run.

Secret Show: Wednesday, November 4, 2026 Brooklyn Bowl: November 5 and 6 Guests: Warren Haynes, Grace Potter

Widespread Panic bassist Dave Schools spent the first week of November making New York City his own. On Wednesday, November 4th, 2026, Dave Schools & Friends played an unannounced secret show at the Grand Ballroom at the Manhattan Center, with surprise appearances from Warren Haynes and Grace Potter. Two billed nights at Brooklyn Bowl followed on Thursday, November 5th, and Friday, November 6th.

The Secret Show

The Manhattan Center gig was part of Music Club, a membership program that books major touring acts into club sized rooms without revealing the performers in advance. Members walked in without knowing who would be on stage, and the night delivered two heavyweight sit ins. Gov’t Mule frontman Warren Haynes and Grace Potter both joined the band, turning a surprise warm up into one of the more talked about jam scene moments of the week.

A secret ballroom show, two surprise guests, and two Brooklyn Bowl nights to follow.

The Band

Schools assembled a rotating cast of familiar names. Steve Kimock handled guitar, joined by his son John Kimock on drums. Tom Hamilton of Joe Russo’s Almost Dead added guitar and vocals, Jennifer Hartswick of the Trey Anastasio Band brought trumpet and vocals, and Adam MacDougall of Circles Around the Sun played keys. Alex Koford of the Terrapin Family Band rounded things out on percussion and vocals.

Brooklyn Bowl

The band then moved to Williamsburg for two nights. On Thursday, Hartswick and Koford took the vocals on the Rolling Stones’ “Gimme Shelter,” and fan shot video of the moment has circulated online. Friday’s first set included “Outta Space,” “Superhighway,” “Come Together,” “Mountain Song,” “Big Railroad Blues,” “Waiting for a Miracle,” and “Living on the Highway.” The encore paired “Sweeten the Distance” with “China Cat Sunflower” into “I Know You Rider,” a fitting send off from a bassist with deep roots in the Grateful Dead songbook. Full show video of the Friday performance has also been posted by fans.

Catch Up

Live For Live Music has the full report, along with links to fan shot video and photos from the run, in its coverage of the three nights. You can also revisit the venue’s Brooklyn Bowl event page.

Jam Scene Never Sleeps

Secret shows, surprise sit ins and late night encores. Keep the music going on JamFest Radio.

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Punch Brothers and Jeff Tweedy Team Up for the PB&J Tour, Seven Cities From Pennsylvania to Florida Before Setting Sail on Cayamo

Tour Announcement

Punch Brothers and Jeff Tweedy Team Up for the PB&J Tour, Seven Cities From Pennsylvania to Florida Before Setting Sail on Cayamo

The bluegrass quintet backs the Wilco frontman on his songs, and Tweedy returns the favor on theirs, across a co-headlining run in February 2027.

Dates: February 17 to 25, 2027 Cities: Seven, York to Orlando On Sale: Friday, November 13, 10 AM local

Two of the most inventive names in American music are joining forces. Punch Brothers and Wilco frontman Jeff Tweedy have announced the PB&J Tour, a seven city co-headlining run from February 17th to the 25th, 2027, that travels from Pennsylvania to Florida. The format is the real draw. Punch Brothers will back Tweedy on his songs, and Tweedy will sit in with the bluegrass quintet on theirs, so the shows are built around collaboration, not a standard double bill.

Two Acts, One Stage

Punch Brothers are Chris Thile, Chris Eldridge, Paul Kowert, Noam Pikelny, and fiddler Brittany Haas, and they are touring behind The Unsung Adventures of Punch Brothers, their first all instrumental album and the first to feature Haas. Tweedy continues to tour behind Twilight Override, his thirty song triple album released in September 2025. The pairing has a history. In December 2017, Punch Brothers served as the house band for a Live From Here broadcast at The Town Hall in New York City, where they backed Tweedy on Wilco’s “Poor Places,” and he joined the finale, a cover of the Pogues’ “Fairytale of New York.”

Punch Brothers behind Tweedy’s songs, Tweedy inside theirs, and seven rooms built for listening.

The Route

The tour opens at the Appell Center for the Arts in York, Pennsylvania, on February 17th, followed by the Paramount Theater in Charlottesville, Virginia, on the 19th and the Thomas Wolfe Auditorium in Asheville, North Carolina, on the 20th. It continues to the Gogue Performing Arts Center in Auburn, Alabama, on the 21st, then turns to Florida with Ruth Eckerd Hall in Clearwater on the 23rd, The Parker in Fort Lauderdale on the 24th, and a finale at Steinmetz Hall at the Dr. Phillips Center in Orlando on the 25th.

Then Out to Sea

The run does not end in Orlando. Both acts head to Miami to board the Norwegian Jewel for the 19th edition of Cayamo: A Journey Through Song, which sails February 26th through March 5th, 2027. The lineup also includes Molly Tuttle, Ketch Secor, Suzanne Vega, Shawn Colvin, Loudon Wainwright III, Hayes Carll, Valerie June, and Aoife O’Donovan, along with a special set by Crooked Still.

Tickets

Venue and member presales begin today, Wednesday, November 11th, at 10 AM local time for select locations, including The Paramount Theater in Charlottesville. The general on sale opens Friday, November 13th, at 10 AM local time through venue box offices and outlets such as Ticketmaster. You can also see the Paramount Theater listing for the Charlottesville show.

Peanut Butter Meets Jelly

Two great acts, one memorable tour. Keep up with the jam scene on JamFest Radio.

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Grace Potter and The Trespassers Announce a 48 Date Coast to Coast Trespasser Tour for 2027

Tour Announcement

Grace Potter and The Trespassers Announce a 48 Date Coast to Coast Trespasser Tour for 2027

From a Vermont opening night to a Seattle finale, a new band and a new album carry Potter across 26 states and Washington, D.C., with $1 from every ticket supporting rural Vermont arts.

Opens: January 14, 2027, Rutland, VT Closes: March 27, 2027, Seattle, WA On Sale: Friday, November 13, 10 AM local

Grace Potter is hitting the road in a big way. Grace Potter and The Trespassers have announced the 2027 Trespasser Tour, a 48 date, coast to coast run that begins on January 14th, 2027, and finishes on March 27th. The tour celebrates her new album, Trespasser, released August 21st, 2026, and it spans 26 states plus Washington, D.C., from the East Coast to the Pacific Northwest.

The Album and the Band

Trespasser is the spiritual sequel to Potter’s acclaimed 2023 album Mother Road. It captures a kaleidoscopic storyline inspired by her frequent cross country road trips between her home in Topanga Canyon, California, and her native Vermont. The album was produced by Eric Valentine and released on Potter’s own Mother Road Records. Her touring ensemble is called The Trespassers, a name taken from the new record for this cross country run.

An album born on the road between California and Vermont, and a tour that retraces the whole journey.

The Route

The tour opens at the Paramount Theatre in Rutland, Vermont, on January 14th, then works its way through New England and the Mid Atlantic with stops in Portland, Maine, Boston, New Haven, and a night at the Beacon Theatre in New York City on January 23rd. January closes in Washington, D.C., at The Anthem on the 30th. February takes the band through the Midwest, including St. Louis, Indianapolis, Cincinnati, Milwaukee’s Pabst Theater, and St. Paul, before a break and a return in the last week of the month with Kansas City, Omaha, and the Fillmore in Denver on February 27th. March begins at Belly Up in Aspen on the 1st and then sweeps across the Southwest and California, including the Fillmore in San Francisco on March 11th, before turning north through Idaho, Wyoming, Utah, Montana, and Oregon and ending at The Showbox in Seattle.

Singer songwriters Pokey LaFarge and Langhorne Slim will open select dates. LaFarge is on the bill for the winter run from Maine through Des Moines in mid February, while Langhorne Slim takes over for the run from Kansas City to Seattle.

Tickets and a Good Cause

An artist presale begins today, Wednesday, November 11th, at 10 AM local time through Grace Potter’s official website. A Live Nation presale for select dates follows on Thursday, November 12th, at 10 AM local time, and the general on sale opens Friday, November 13th, at 10 AM local time through Ticketmaster and other primary outlets. Potter is also donating one dollar from every ticket sold to the Grand Point Foundation, a nonprofit that works to strengthen and sustain the arts in rural Vermont communities.

More Dates on the Calendar

The tour is not Potter’s only business this fall and spring. She plays the Troubadour in West Hollywood tonight, November 11th, and Wilmington, North Carolina, on the 14th, then joins Zac Brown Band for arena dates in Lincoln, Des Moines, and Rosemont, Illinois, on November 19th through the 21st. After a pair of December shows in Poughkeepsie and Easton, Maryland, she is booked for the Tortuga Music Festival in Fort Lauderdale on April 3rd, the Moon Crush Pink Moon festival in Miramar Beach, Florida, on April 24th, and the Keeping the Blues Alive at Sea cruise in Alaska in September.

Trespassers Welcome

Forty eight nights, one big road trip. Keep up with the jam scene on JamFest Radio.

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King Gizzard and The Lizard Wizard Announce Their 29th Album, Entropy, and a Pair of North American Tour Legs for 2027

New Album and Tour

King Gizzard and The Lizard Wizard Announce Their 29th Album, Entropy, and a Pair of North American Tour Legs for 2027

A faster, brighter companion to Alien Metal arrives December 4 with the lead single “Rogue Wave,” and tickets for the August and October runs go on sale this week.

Album: Entropy, December 4, 2026 Label: p(doom) Records On Sale: Friday, November 13, 12 PM ET

King Gizzard and The Lizard Wizard are not slowing down. The prolific Australian band has announced its 29th studio album, Entropy, due December 4, 2026, on its own p(doom) Records label, along with two legs of North American touring in August and October 2027. The announcement arrived with the album’s lead single, “Rogue Wave,” giving fans a first taste of a record that follows the band’s August 2026 electronic LP, Alien Metal.

Entropy and Its Companion

Entropy is a companion piece to Alien Metal, which came out on August 14th. Both records grew out of the same extended improvisation sessions built around the band’s massive Eurorack modular synthesizer rig, affectionately nicknamed Nathan, and Entropy includes material from those sessions. The band first planned to release the two albums together before deciding to present them as standalone records. The difference is in the mood. Alien Metal carried a grungier tone at 143 beats per minute in the key of F sharp, while Entropy is faster, brighter, and more cosmic, clocked at a steady 160 beats per minute in the key of A. Stu Mackenzie has described it as prettier, more harmonic, and more cosmic than its predecessor.

Same synthesizer, same sessions, a different universe: faster, prettier, and more cosmic than Alien Metal.

The eight track album opens with “Aeon” and moves through “Heaven and Hell,” “Hard Sync,” “Rogue Wave,” “Angel,” “To Mercury,” and “Face of the Earth” before closing with the title track, “Entropy.”

The 2027 North American Tour

After a limited run of seven United States shows in 2026, the band will return to North America in 2027 with an August summer leg and an October fall leg. The August dates begin with two nights at Hollywood Forever Cemetery in Los Angeles on the 5th and 6th, then move through San Diego, Flagstaff, and Santa Fe before the band heads up the West Coast to the Cow Palace in Daly City, Portland, and The Gorge Amphitheatre in Quincy, Washington. The leg continues across Western Canada, with stops in Vancouver, Calgary, Saskatoon, and Winnipeg, and closes at The Armory in Minneapolis on August 27th.

The October leg opens in Texas with Dallas on the 6th and Austin on the 7th, then goes through the South and Appalachia with New Orleans, Atlanta, the above ground amphitheater at The Caverns in Tennessee, and Asheville. It then turns north to Montreal, Toronto, Cleveland, and a finale at the Wintrust Arena in Chicago on October 22nd. The band also has a run of European dates planned for June 2027, including Primavera Sound in Barcelona and two nights at the Eventim Apollo in London.

Tickets

An artist presale for mailing list subscribers begins today, Wednesday, November 11th, at 9 AM Pacific, which is noon Eastern. The general on sale opens Friday, November 13th, at 9 AM Pacific, noon Eastern, with tickets available through the band’s official tour page, Ticketmaster, AXS, and other outlets.

Enter the Entropy

A new album in December and a big year on the road in 2027. Keep up with the jam scene on JamFest Radio.

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WinterWonderGrass Steamboat Reveals Its 10th Anniversary Lineup, Led by String Cheese Incident, Trampled by Turtles and Kitchen Dwellers

Festival Lineup

WinterWonderGrass Steamboat Reveals Its 10th Anniversary Lineup, Led by String Cheese Incident, Trampled by Turtles and Kitchen Dwellers

Three days of jam bands, bluegrass, and acoustic roots music return to the Colorado mountains March 5 to 7, 2027.

Dates: March 5 to 7, 2027 Place: Steamboat Springs, Colorado Milestone: 10th year in Steamboat

WinterWonderGrass has announced the lineup for the 10th anniversary of its Steamboat edition, and it is a big one. The premier three day winter outdoor music festival, which blends jam bands, bluegrass, and acoustic roots music, takes place March 5th through the 7th, 2027, in the mountain resort town of Steamboat Springs, Colorado. The festival began in Edwards, Colorado, in 2013, moved to Avon the next year, and landed in Steamboat in 2017, and founder Scotty Stoughton says ten years in Steamboat have gone by in a blink.

Historic Headliners

The headline news is The String Cheese Incident. The Colorado jamgrass pioneers will make their first ever WinterWonderGrass appearance, and it will be their first performance in the town of Steamboat Springs since 2002. They are joined at the top of the bill by two acts at the progressive acoustic heart of the festival, Trampled by Turtles and the Kitchen Dwellers. The festival is the anchor of String Cheese’s winter 2027 run, which also includes two nights at Belly Up Aspen on March 6th and 7th.

A first WinterWonderGrass for String Cheese, a first Steamboat visit in a quarter century, and ten years of mountain bluegrass.

The Rest of the Bill

The 2027 lineup brings twenty seven artists across four stages over the weekend. Notable names confirmed include Daniel Donato’s Cosmic Country, the Jerry Douglas Band, Shadowgrass, The Brothers Comatose, Hayes Carll, and BoomBox, along with Magoo, Bronwyn Keith-Hynes, and Pickin’ On The Dead featuring Rob Eaton, WinterWonderWomen, and Johnny Mullenax. Lindsay Lou will serve as the festival’s artist at large. The organizers say more acts are also booked.

Passes

Passes are on sale now through the festival box office. The announcement also kicked off with a free, all ages lineup celebration at Snow Bowl in Steamboat on October 7th, featuring members of Heads All Empty and special guests.

Coming Up Monday on JamFest

The NewGrass Radio Show, Music Without Rules

Get in the mountain mood early with Monday night’s NewGrass Radio Show on JamFest. It is a show for traditional artists and also features the new generation of amazing artists creating blends of Music Without Rules, the same spirit that fills the WinterWonderGrass stages.

NewGrass Radio starts at 9 PM Eastern on Monday night and runs for six hours of nonstop bluegrass for longtime fans and newcomers alike, from the legends who built the music to the contemporary artists carrying it forward.

Listen on JamFest Radio

Ten Winters Strong

See you in Steamboat. Keep up with the jam scene on JamFest Radio.